Singing courses led by Alison Wells with an annual residency in Arjac in the Aveyron, southwest region of France.

The Singer as Artist

Welcome to the Singer as Artist’s new website. Explore our courses and get in touch via the contact page if you would like more information.

You’ll find upcoming course dates, pictures of previous courses, and quotes from alumni of our courses.

I look forward to welcoming you to the Singer as Artist Community,

 
 
  • Hilary Cronin - Winner of The Handel Singing Competition 2021 - Arjac Alumna 2019

    “I had the best time in Arjac! The course reignited my love of singing and really helped to build my confidence as a performer. The lessons, coachings, collaborations with other singers and group discussions all contributed towards a very productive learning experience.

    We were so well looked after by our generous hosts and enjoyed delicious food in an idyllic setting. It is certainly worth doing this course if you can!”

  • Susanna Heard - Freelance singer - Arjac alumna 2019

    “I attended The Arjac Singer as Artist Course in September 2019. Le Mas d'Arjac was an hour’s drive from Toulouse. We had wonderful tuition from Alison Wells, Nigel Foster and Peter Bramley, performing Opera Scenes in a Concert at the end of the course. It was a beautiful setting, wonderful company and excellent tuition. I thoroughly recommend the course.”

  • Scarlett Clemmow - Cambridge University - Arjac alumna 2021

    “Arjac is an idyllic setting, and the relaxed atmosphere on the course enabled me to put inhibitions to one side and focus fully on attaining my goals for the week. The intensive attention from Alison and the other coaches allowed me the luxury of working on pieces with an unusual amount of attention to detail and I really felt that I came back to the UK a different singer to the one that left.”

  • Hattie Voelcker - Founder Find Your true voice - Arjac alumna 2021

    “I went to Arjac not knowing what to expect, just hoping it might live up to the fantasy I had had in my head of what a singing course in the South of France could be. In the end it was so much more than I had even dared hoped. Not only did I get the chance to relax in a beautiful spot with wonderful food and great company, it took my singing to the next level, not just in technique but in enjoyment too.”

  • Alice Usher, Soprano - Director of Gothic Opera - Arjac Alumna April 2019

    “There was a very friendly and supportive atmosphere. I enjoyed the focused and individualised work in a beautiful and peaceful location. This course is the perfect place to work on your technique and your storytelling.”

  • Jamie Menard - Singer and Actor - Arjac alumnus 2021

    “A combination of the relaxed and beautiful location, delicious food, comfortable accommodation, shared goals and top-notch pedagogy made my week at all Arjac very worthwhile.”

  • Rachel Godsill, soprano and voice teacher, Cambridge

    "Arjac- a relaxed beautiful setting with wonderful vocal and movement tutors: the course facilitated imaginative insight into text and the opportunity to explore resulting vocal colours. I loved it!"

The Singer as Artist - course dates

Course 1: 3rd September - 10th September 2024

Course 2: 11th - 18th September 2024

Two residential masterclasses for singers in vocal colour and technique at the Mas d’Arjac in South West France led by Alison Wells, Vocal Studies professor at the RCM.

The Singer as Artist

I decided on this name for my own courses a few years ago, as it reflects how important I consider the use of the imagination in singing, to aid interpretation and also technical work.

All singers need a solid physical basis to their technical work, but I have found through many years of teaching, that visual imagining of that physical reality can really help a singer find a holistic way of using muscles and releasing tension.  Additionally, different students will react to different images, and so having different ways of explaining things will help a student find the way to trigger the right reaction in the body.

The use of visual imagination in interpretation may be more easily understood.  Just like a painter must see what is to be painted before putting brush to canvas, when we see the scene we are singing we always find more colour in the voice.  If we let the text lead us, we shape our phrases more successfully. That’s the starting point for the courses which involve singing tuition, coaching, movement work and group sessions.

We have an annual residency at the wonderful Le Mas d’Arjac in the Aveyron, southwest region of France, with legendary hospitality and wonderful food. I’m joined there by Nigel Foster, Director of the London Song Festival, as coach and pianist; and by Peter Bramley, Director of Pants on Fire Theatre Company as movement and drama teacher. There is a weekend at Jackdaws in Somerset every year where I will be joined this year by Nigel Foster, and next year I hope to announce another exciting collaboration – watch this space…

Arjac Course Leaders

Alison Wells - Singing Teacher

Nigel Foster - Pianist and Coach

Peter Bramley - Director

  • Vocal Studies professor - Royal College of Music

    Alison Wells has been immersed in singing as a performer and teacher for more than 40 years. Originally trained as a pianist, she began singing after working as an accompanist for singing lessons. She made her South Bank debut in the Park Lane Group’s Young artist series, and has subsequently been known for her interpretations of new music, having given many premieres as well as performing the great classic pieces of the 20th Century. She has recorded and broadcast widely, working with international and national instrumental ensembles and conductors, and at major venues and festivals in the UK and abroad.

    She is a highly regarded singing teacher, with a busy private studio in addition to her work as a vocal professor at the Royal College of Music. Her students have won many competitions including the Kathleen Ferrier Award, The London Handel Competition, the Royal Overseas League, the Emmy Destinn Competition , and the Association of English Speakers and Singers Competition.

  • Director of the London Song Festival

    Nigel Foster was born in London and studied piano at the Royal Academy of Music, the Guildhall School of Music and Drama with Graham Johnson, and also privately with Roger Vignoles. At both the Academy and the Guildhall he won every prize and award available for piano accompaniment, and has been appointed an Associate of the Royal Academy of Music.

    Nigel enjoys a busy schedule performing on the concert platform. He has played for artists including the late Philip Langridge, Sarah Walker, Ian Partridge, Roderick Williams, Neil Jenkins, Yvonne Kenny, Jeremy Huw Williams, Maire Flavin, Anna Devin, Ruby Hughes, Gillian Keith, Nicky Spence, Jane Manning, Marcus Farnsworth, Benedict Nelson and violinist Madeleine Mitchell, as well as many of Britain's leading young singers. He performs at major venues including the Wigmore Hall, South Bank Centre, St John Smith Square and Royal Opera House (Crush Room) in London, and St David's Hall in Cardiff.

    In his formative years Nigel played for Graham Johnson's Songmakers Almanac, the Park Lane Group and several opera companies including Glyndebourne. Nigel has worked with John Eliot Gardiner CBE, and he has happy memories of his time as a rehearsal pianist for the late Georg Solti, playing for singers including Renee Fleming, Angela Gheorghiu and Roberto Alagna. Nigel worked closely with Sarah Walker in the Vocal Department at the Guildhall School of Music and Drama.

    Nigel's CD recordings include several discs of contemporary music and anthologies of songs of Alun Hoddinott and Mansel Thomas with baritone Jeremy Huw Williams for the Sain label. He features on the soundtrack of the French film L'Homme est une Femme Comme les Autres.

    Nigel performs extensively abroad. He has played all over Europe, Asia (Japan, Malaysia), New Zealand and the Americas (USA, Canada, Colombia) and has broadcast on BBC Radio 3, Classic FM and on French, Welsh and Greek television.

  • Artistic Director of the Arjac Arts and Cultural Centre

    Peter Bramley is the founder and Artistic Director of multi-award winning, international theatre company Pants on Fire.

    He trained at L'Ecole Internationale de Théâtre Jacques Lecoq in Paris and was in the final group of students to have trained with Lecoq himself.

    He has a BA from Royal Holloway University of London, an MA in Theatre Practices (University of Manchester), and further training includes the Gardzienice Centre of Theatre Practices in Poland, and with Teatr Piesn Kozla (Song of The Goat).

    Peter held the Senior Lecturer post of Head of Movement at Rose Bruford College for 12 years. Freelance visiting lecturer and directing work includes: LAMDA, Liverpool Institute of Performing Arts, Central School of Speech and Drama, Royal Holloway University of London, Brunel University, Goldsmith's College and Greenwich University. He has led workshops and masterclasses for The Jerwood Young Artists Programme at Glyndebourne, The Actors Centre in London, Yale (USA), The Moscow Arts Theatre School (Russia), with Soulpepper Theatre Company and Equity showcase in Toronto (Canada), DAMU in Prague, (Czech Republic) and Institut Teatre Barcelona (Spain).

    Peter has directed over 30 theatre productions, and has written several plays and adaptations. In 2010 Bramley's highly acclaimed production of Ovid's Metamorphoses won the Carol Tambor Best of Edinburgh Award and the Whatsonstage.com Editors Prize. In January 2011 the production transferred to the Off Broadway Flea Theater in New York, and has since toured extensively.

    www.peterbramley.com

Please get in contact using the form below